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Description
off-text plate for Dernières Œuvres de Matisse for Verve 35-36
The etchings often originated as frontispieces or illustrations for volumes
in the Montefeltro
He approached lithography as a craftsman in the truest sense of the word: he drew the stones himself and oversaw the printing
PIRANESI GIOVANNI BATTISTA, Arco di Settimo Severo e Caracalla nel Foro Boario, 1748 sculture off-text plate for Dernières ŒuvresSplendid proof in the first state of two. Printed in the 18th century. Perfect condition, with wide margins all around. From the series Various Views of Ancient and Modern Rome, printed between 1745 and 1748.
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