Veduta. Philosophie la fin’amor

la fin’amor

paleographic description with particular attention paid to the attestations of contemporary monuments

If Art Nouveau is indeed a symbol of the Belle Époque

the influence that Soutine had on the artists of the end of the 20th century requires a new look at a totally original painter

Veduta. Philosophie la fin’amorAfter Silencio and Vestiges d'empire, photographer Thomas Jorion continues in this opus his questioning of buildings and places in ruins, abandoned by men. He traveled Italy from North to South, from Piedmont to Sicily, via Veneto and Tuscany. He returned with surprising and timeless images of residences, villas, and palaces dating from the 18th to the early 20th centuries, and long since fallen into disgrace. This forgotten heritage surprises with