The Man in the Phone Booth II monotype The detail in the dog’s

The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama

My approach – as many know – leans on the use of desk research

so many variables that are beyond anyone’s control have to work in the favour of the artist

Ben Nighthorse delicately inlaid this Sugilite

The Man in the Phone Booth II monotype The detail in the dog’sInquire about available sizes and pricing. Limited Edition Prints. The Cinema Series grew out of the world introduced in Chapter 51 and expands its cinematic spirit into a full visual universe. Shot on Kodak film with Panavision lenses, the same tools used in major Hollywood productions, the series carries the weight and atmosphere of a feature film while existing as singular images. Each photograph feels like a frame paused at the perfect moment,