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anticipated and influenced modern sensibility
he left his studies in law and the textile industry to dedicate himself to painting in 1960
the setting could be identified with Tsukudajima
are represented through homonymous animals in Sino-Japanese reading
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 81, 1836-1847 sculture anticipated and influenced modern sensibilityBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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