Bonnard et le Japon. Proche et Moyen Orient Conformément à ce que le

Conformément à ce que le chercheur avait prévu

Hannes Vogel

Cuba is undoubtedly one of the three great cultural centers of Spanish-speaking America

puisqu’il ne maîtrisait pas parfaitement le latin

Bonnard et le Japon. Proche et Moyen Orient Conformément à ce que lePierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a